Credentials: 1.7 out of 10 (Imdb.com)
Plot: A team of archaeologists--- each with an accent more
outrageous than the last--- uncover a werewolf skeleton in the Arizona desert.
Yuri (Jorge Rivero), the leader of this poor man’s UN of idiots, quickly
becomes obsessed with the power of the skeleton and stars using it to turn
random people into werewolves. Eventually, a guy named Paul (Frederico Cavalli)
shows up for some reason. He doesn’t seem to have any connection to the archeologists,
but he starts hanging around them and could be their only hope for… something. The
movie never says what. Anyway, Paul takes a liking to Natalie (Adrianna Miles),
a smoking hot blonde and seriously dimwitted member of the team. This angers
Yuri and soon all hell breaks loose. Oh yeah, and at a certain point a werewolf
drives a car in full wolf form! Bucket list item checked off!
What it stinks: “Werewolf” is so bad it’s hilariously good.
The
horrible acting, the inexplicable accents, the shear and utter disregard for
any semblance of continuity from scene to scene. It’s almost as if the
filmmakers were trying to make an awesomely bad movie. Almost. I refuse to give
the creative team behind “Werewolf” that much--- really, any--- credit
whatsoever.
The
acting, good lord. With her indeterminable accent Adrianna Miles is essentially
a busty, blonde Tommy Wiseau. Except Wiseau is much more expressive. Miles just
sort of stands there, and occasionally words slip out of her. No conviction, no
emotion. Just blah.
Blah
also describes her chemistry with Cavalli. Two trees growing next to each other
in a forest have more passion than these guys.
And
then we have Jorge Rivero. He’s nothing special, although compared to Miles, he
might as well be Johnny Depp.
The
really interesting thing about Rivero is his hair. It changes almost from scene
to scene. Sometimes it’s brown, other times it’s gray. The style is constantly
in flux. It’s bizarre. It’s almost like his scenes in “Werewolf” were filmed
out of order over the course of 20 years.
The
movie’s continuity problems don’t end on top of Rivero’s head. The film’s werewolves
look different every time you see them. Sometimes they’re people with bits of
hair spirit gummed to their faces. Other times, the werewolves are portrayed by
a guy in a bear costume. Whatever effect is used, you can rest assured knowing
it’s crappy-looking.
“Werewolf”
is also jam-packed with Grand Canyon-sized gaps in logic. Take for example the
fact that full moons seem to occur every single night in Arizona. At least they
do according to “Werewolf.” Wasn’t there anyone on set who completed an
elementary level science course? Anyone?
Also,
you know, it would have been nice if the movie had bothered to explain just who
Paul is and why he’s important to the archaeologists. Instead, he shows up
halfway through the movie and suddenly becomes the leading man/alleged hero.
Worst
of the worst
The
goofiest, most ridiculous scene in “Werewolf” is without a doubt the werewolf
driving sequence. Yuri hops in a car and chases a newly turned werewolf back
and forth passed the same gas station for about five minutes. Of course, we
weren’t supposed to notice they were driving in circles, but that’s one of
those small details that slip through the cracks when you’re a horrible
filmmaker. Plus, the sight of a guy in full wolf makeup steering a car is
sidesplitting.
Video
evidence
There
you have it, “Werewolf” (1996). Bumblebee tuna.